Review of a duo: Bengal Nights & It Does Not Die
“I would like to be able to look Maitreyi in the eyes…” — Bengal Nights, 1933 For a powerful narrative set in postcolonial India, told by two powerful minds, one pair stands to be compared and contrasted. These are Mircea Eliade’s 1933 Bengal Nights and Maitreyi Devi’s 1974 It […]